0.Introduction to my music
2 files
His songs are timeless because it lesson
Narada (Sanskrit: नारद, IAST: Nārada), or Narada Muni, is a sage-divinity, famous in Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of the mind-created children of Brahma, the creator god he carries two instruments right hand veena melody and left hand chapak travels worlds
Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or to enjoy a close view of epochal events. He is also referred to as Rishiraja, meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future.
Music
To Cook Fuel Patraa Padardamm
To make
Concept/purpose = I'm introducing about me What are you.title song like hukum , infinite Style =
Story telling
First select scale
. When you play notes of scale it always pleasant to hear
. Phrase 101
Building phrases and rhymes for a song requires a mix of creativity and technique. Here’s a structured approach:
- Start with a Theme or Emotion
Think about what you want to express. Your theme guides your lyrics.
Love: "Holding your hand under moonlight."
Freedom: "Winds call my name as I chase the dawn."
Struggle: "Lost in the night, but I’m still standing strong."
- Choose a Rhyme Scheme
Common rhyme patterns:
AABB: (Two lines rhyme, then another two) The night was cold, the stars shone bright, I walked alone, lost in the light.
ABAB: (Alternating rhymes) The waves crash hard against the shore, A silent breeze calls out my name, I’ve walked this path so long before, Yet somehow, nothing feels the same.
- Use a Rhyme Dictionary or Word Association
Find simple rhymes:
Love → Dove, Above, Glove
Dream → Scream, Beam, Stream
Use near rhymes:
Heart → Hard, Part, Spark
Gone → Dawn, Wrong, Song
Try RhymeZone or Datamuse for finding rhymes.
- Build Meaningful Phrases
Take a word and make a sentence with emotion.
Rhyming Words: "Bright, Night"
Phrases: "The city lights shine so bright," "But I still dream alone at night."
Rhyming Words: "Flow, Go"
Phrases: "Let the river take me slow," "To a place I long to go."
- Play with Rhythm
Make sure your lines sound smooth when spoken or sung.
Choppy: "I feel pain, it's deep inside."
Better Rhythm: "Deep inside, I feel the pain."
- Add Repetition (Chorus Hook)
Great songs repeat a catchy phrase.
Example: "No more rain, no more pain," "Only love will still remain."
- Use Simple Melodies
Hum a tune and fit words into it. Start with four beats per line:
1️⃣ I feel lost in the pouring rain 2️⃣ Every step takes me back again 3️⃣ But the stars whisper through the night 4️⃣ Telling me I’ll be all right
- Expand into Verses and a Chorus
Verse: Introduce the story/emotion.
Chorus: The catchy, repeating part.
Bridge: A different melody or mood for variation.
Example Song Structure with Rhymes
(Theme: Finding peace in nature)
[Verse 1] I was lost in the pouring rain (A) Chasing shadows, drowning pain (A) Then I found a golden shore (B) Heard the waves, I hurt no more (B)
[Chorus] No more harm, I feel calm (C) Resting under the swaying palm (C)
[Verse 2] Night was dark, the road was steep (D) But the moon sang me to sleep (D)
Practice Exercise:
-
Pick a word (e.g., Fire).
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Find rhymes (Desire, Higher, Choir).
-
Build phrases:
"Like a fire, burning bright,"
"Lifting me up, taking me higher."
Would you like me to help with a specific theme?
No.of syllables
3 raag
For an advanced piano synthesis in Csound, you can use Karplus-Strong string synthesis combined with an envelope and reverb for a more realistic sound.
🎹 Advanced Synthesized Piano in Csound
This setup allows you to change notes easily while keeping a realistic sound.
instr 1 p4 = cpsmidinn(p4) ; Convert MIDI note to frequency aEnv linen 0.8, 0.01, p3, 0.2 ; ADSR Envelope aNoise rand 0.3 ; White noise for excitation aFiltered reson aNoise, p4, 0.5 ; Resonator for string body aTone pluck aFiltered, p4, p4, 0, 1 ; Karplus-Strong string model aVerb freeverb aTone, 0.4, 0.8 ; Add reverb for natural sound outs aVerb, aVerb endin
🔹 Features:
✅ Karplus-Strong synthesis for realistic string resonance ✅ Envelope control for sustain & decay ✅ Reverb (freeverb) for depth & realism ✅ Easily change positions (Just modify the note numbers in i1 lines)
🎵 How to Play Different Notes:
C D E F G A B C5 (Sa Ri Ga Ma Pa Da Ni Sa) → 60 62 64 65 67 69 71 72
C5 D5 E5 F5 G5 A5 B5 C6 (One octave higher) → 72 74 76 77 79 81 83 84
Sa Re Ga Ma Pa Dha Ni Sa (Hindustani style) can use the same MIDI notes.
💡 Want More Customization?
Change the reverb amount by adjusting freeverb aTone, 0.4, 0.8.
Increase decay time by modifying linen 0.8, 0.01, p3, 0.2.
Add dynamics by controlling aNoise rand 0.3 for different pluck intensities.
Let me know if you need further tuning for a better piano tone! 🎼🎹
feelings and music; longing and linering,failure and attempt,arrohana and avaarohana - sun ra hai tu ,mey ronaa gi hu hi last bit loning = toli prema up and again down. attempt and failure =mil ney hey muju se ayee = starting
how you rise and fall
set of rises set of context rises
== The scheme of 72 melakarta ragas
This classification of ragas in south indian music into melakartha ragas and janya ragas is highly scientific and is best system of raga classification that human genuius can convince of.
Nomenclature for 72 melakarta ragas
Melakarta raagam which posses the full complement of sapta swaras sa,ri,ga,ma,pa,dha,ni in both arohana and avarohana in krama order they are reason as sampoorna raagas.
// Synonyms Melakarta also known as fundamental raagas,primary ragas,root ragas,parent ragas,janaka ragas
Total 6 swaras and 12 swarasthanas
6 swaras are
S R G M P D N
12 swarasthanas
S R r G g M m P D d N n
Because interchagable or fixed or one note are S, P
12 chakras
A saptaka will have four swaras in lower half(shadha to madhyma) is called uttrardha.
A saptaka will have four swaras in latter half(pancham to shadja) is called uttrardha. Thus enitre gamut will have 8 notes
3 fixed 5 x 2 = 20
Upto 6 chakras are
Karnatic system has 16 notes instead of 12 in Hindustani or even western
SrgM SrGM SRgM SRGM
PdnS PdNS PDnS PDNS
4x4 = 16
Again M m are 2 so 16× 2 = 32 thhaats or 32 sampurna raagas or complete raagas
32
Thus thaats or progressions are thought mathematically precise difficult to remember
As mentioned before,thaat is progression of various raised or lowered swaras in a scale from which originates a raag i.e a melodic composition composed with the set of rules to express emotion
Varna is possible direction a raag can take in being composed
. Sthaayee varna(stationary) . Arohi(ascending) . Avaroha (descending) . Sanchari varna(mixed)
Here varna can now go SGM MGRS a phrase
Rules governing raaga
Raaga is a composition which draws upon swaras and varnaa and is related to a thaat in order to create pleasing and delightful experience
Vadi = more frequent notes Samavadi = same a vadi Anuvadi = present notes Vivadi = not included notes Varjya = restricted notes
:TIP:The easy way to understand raag is to listen
Mostly are tetracode == Raag samya
Greater impact Based on indian prahara as 24 hours are divided into 8 paraharas of 3 hours each.
Parveshaka raaga
Samaya bheda
Sylan levi,the well known indologist without hesitation mentions that western system of notations derived from indian music
Grama means village like a people in village represents a cluster of notes in a grama.in grama with some melodic idea with potentialites for improvisation jaati came .and the scale to which the jaati could be ascribed is moorchhana.
So,jaati is based on number of swaras . Sampoorna(complete) . Shadhav(hexatonic) . Anudhav(pentatonic)= 7 => 7-2 = 5 => if 2 drop = 15
. Suddha raag(pure) . chhayalaga raag(shade) . Sankeerna(mixed)
Reference
[Basic principles of hindustani music by pandit jaisukhlal T.shah]
[Ref::The melakarta janya raga scheme or graha bheda pradaayini by p.sambamurthy] - chart [The music of india]- herbert A.Popley B.A [A key to hindhu music ]- piano fingering image and raaga play